By Sam McDonald

Eastern Shore artist and pastor Mary Elizabeth ā€œMAMA-Girlā€ Onley attracted an enthusiastic flock of fans and followers. Many found inspiration in her colorful newspaper sculptures and paintings, and in her uplifting personality.

Six years after Onleyā€™s death, ¹ś²śĀץķ will present an exhibition celebrating her joyful artistic vision. ā€œMAMA-Girl!ā€ will be on display at the Baron and Ellin Gordon Art Galleries Sept. 27, 2024, through May 10, 2025.

An opening reception takes place this Thursday, Sept. 26 at 6 p.m.

More than a dozen lenders from Virginia, Maryland and North Carolina contributed some 150 objects that represent her life and work. MAMA-Girl depicted a vivid, whimsical world of plants and animals, scenes from the Bible and rural life on the Eastern Shore. The work radiates imagination and optimism.

ā€œIt has been gratifying to witness people warm to the idea of honoring MAMA-Girl in this way,ā€ said Cullen Strawn, ¹ś²śĀץķā€™s executive director for the arts, who personally curated the show. ā€œThis is the first major effort to bring together a diverse array of works that she made throughout her career,ā€ Strawn said. He said he hopes itā€™s not the last.Ā 

Artwork of a cat.
Animals were a favorite subject for Eastern Shore folk artist Mary Elizabeth ā€œMAMA-Girlā€ Onley. Photo credit: Mark Atkinson

The artistā€™s son, David Rogers, helped assemble elements for the exhibition.

ā€œIā€™m blown away,ā€ Rogers said. ā€œMy motherā€™s gone out of the flesh, but individuals have gotten together collectively to honor her. Iā€™m in a state of awe and praise.ā€

Other key partners included Andrew and Barbara Fine of Virginia Beach.

ā€œWe became MAMA-Girl ā€˜groupiesā€™ the first time we met many years ago,ā€ the art-collecting couple explained in a joint statement. ā€œHer gentle demeanor and dimpled smile were irresistible. She called herself a ā€˜prophetessaā€™ and said God had personally called upon her to make her art and spread his word. This expansive, in-depth retrospective, with its joyous depictions of people and animals, its humor and outreach to all, celebrates the prophetessaā€™s legacy.ā€

Andrew Fine made a phone call that helped to create momentum for the show.

Strawn said he became enamored of MAMA-Girl and her art nine years ago after seeing Onley profiled on an episode of WHRO-TVā€™s program ā€œCurate.ā€ Years later, he started ruminating on her unique spirit, not realizing that she had passed away in 2018.

ā€œThen, one day, I was in my office and my phone rang. The voice said, ā€˜Cullen, this is Andy Fine, and I think we should do a MAMA-Girl exhibit.ā€™ā€ Coincidentally, Strawn had been contemplating the same idea.

One of the regionā€™s most beloved folk artists, MAMA-Girl inspires a deep sense of connection among art lovers.

ā€œI think part of the reason so many people across the country and beyond collected her work is because they enjoyed her as a person, in addition to appreciating the pieces themselves,ā€ Strawn said. ā€œShe genuinely loved people and championed community and mutual support. She exuded those values, and folks really responded to it. They held her in a special place in their hearts and still think of her fondly and grieve.ā€

Virginia Beach resident Becky Bump, who contributed pieces to the exhibition, enjoyed several conversations with the artist over the years. She dropped by MAMA-Girlā€™s Eastern Shore studio ā€” which doubled as a sanctuary ā€” in the town of Painter and was warmly received.

ā€œI liked everything about her,ā€ Bump recalled, ā€œher authenticity, her spirit, her commitment. I found her inspiring. The spirit had moved her, and this is what it moved her to do.ā€

MAMA-Girlā€™s son David hopes viewers come away with a positive message: Even those from humble beginnings can succeed through faith, kindness and creativity.

His mother had been a field worker before building an international reputation as an artist.

ā€œI hope they see that you can be lifted to the heights of heaven simply by being who you are and appreciating life,ā€ David Rogers said.

In addition to showcasing MAMA-Girlā€™s art, the exhibition contains objects from MAMA-Girlā€™s studio, and other elements:

  • Paint-splattered table, chair, and smock
  • Paint brushes and blotted paper towels that she rolled and used for ā€œhairā€ in some of her pieces
  • A zebra sculpture in mid-repair (showing unpainted newspaper)
  • Life-size model of MAMA-Girlā€™s pulpit
  • Handwritten notebook of her sermons
  • Original videos by Mark Atkinson and Jeff Fine, including an unpublished interview with MAMA-Girl in her studio talking about her life
  • Historical photographs of life on the Eastern Shore from Eastern Shore of Virginia Regional Library and Heritage Center
  • Photos courtesy of the Virginia Folklife Program
  • Stories and photos from collectors of MAMA-Girl art

In the spring, the Gordon Galleries will release a catalogue documenting the exhibition, featuring object photography by Mark Atkinson.

Follow @oduarts on Facebook, X (formerly Twitter) and Instagram for updates on public programming.

Main photo caption:Ā Animals were a favorite subject for Eastern Shore folk artist Mary Elizabeth ā€œMAMA-Girlā€ Onley. Photo credit: Mark Atkinson